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Columbia’s LP was produced by Teo Macero, probably best known for overseeing the long career of Miles Davis, including 1959’s Kind of Blue. Yet the juxtaposition of Simon and Garfunkel’s evocative themes with Grusin’s knowing pastiches of lounge music made for a remarkably cohesive listening experience. The original soundtrack recording of The Graduate plays almost like two distinct scores on one disc. The soundtrack was released two months after the film itself, on February 21, 1968. Tracks 5 & 9 composed by Paul Simon and Art Garfunkel. Tracks 2, 4, 6, 8, 10, 12 composed by Dave Grusin. Original Soundtrack, The Graduate (Columbia CK/PST 3180, 1968 – reissued Columbia CD CK 3180, 1986 & Sony/BMG Japan, 2007) Mike Nichols took home the coveted statue for his direction. Willingham and Henry were nominated for Best Adapted Screenplay and Robert L. Hoffman, Bancroft and Ross were all honored with Academy Award nominations, while the film itself was a contender for Best Picture. The Graduate was a first-class production in every respect, and the critics responded accordingly. Consummate pros Elizabeth Wilson and William Daniels portrayed Benjamin’s parents, and Bewitched favorites Marion Lorne and Alice Ghostley made brief, memorable appearances. Robinson’s teenage daughter Elaine (Katharine Ross). Little does Benjamin know that he will fall in love with Mrs. Robinson (Anne Bancroft), a much older woman who is the wife of his father’s business associate. Alienated from his parents’ generation, he begins an illicit affair with Mrs. The Graduate debuted on December 21, 1967, and American audiences instantly took to the story of Benjamin Braddock. Grusin was also a film neophyte The Graduate and Bud Yorkin’s comedy Divorce, American Style were his first films as composer, and both were released in 1967. Dave Grusin was brought on board to write the music for the “adult” world depicted in the film. Simon was signed to compose original songs and those songs, of course, would be performed by the duo. While shooting, Nichols hit upon the notion of scoring the film with the music of Columbia recording artists Paul Simon and Art Garfunkel. Buck Henry and Calder Willingham adapted Webb’s novel, while sophisticated comedian and stage director Mike Nichols ( Barefoot in the Park, The Odd Couple) tackled his second film, after Who’s Afraid of Virginia Woolf? Webb’s The Graduate deftly satirized the social divide of the 1960s, a divide that was even more pronounced by the time Hollywood got around to filming it in 1967. Robinson!Ĭharles Webb’s first novel was published in 1963. Hit the jump to join Paul Simon, Art Garfunkel, Dave Grusin, Benjamin Braddock and Mrs. To cap off a week on which Simon and Garfunkel are being celebrated for the 40th anniversary of their epochal Bridge Over Troubled Water album (Sirius/XM is even offering 24/7 Simon and Garfunkel Radio for a limited time!), today’s Friday Feature celebrates a cinematic landmark, and a film that still vividly conjures the generation gap that existed in 1967: The Graduate. But more than any other one facet, The Graduate may be best remembered today for its music. You could recall the hypnotic swimming pool sequences or the climactic, comedically unexpected use of a cross to jam a church door. Robinson, you’re trying to seduce me…aren’t you?” or screenwriter Buck Henry’s droll cameo as a hotel clerk: “Are you here for an affair, sir?” There are, of course, Anne Bancroft’s stunning legs that go on forever. There’s much for which The Graduate is remembered today. To represent, well, “plastics,” the composer Dave Grusin was enlisted, and turned in a number of faux lounge compositions.
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To represent Benjamin’s most inner thoughts on the film soundtrack, Nichols called on Paul Simon and Art Garfunkel. Mike Nichols, directing only his second feature film after a successful Broadway career, was anything but subtle as he masterfully threaded the film’s themes throughout every aspect of the production. After all, “plastics” stood for all that was superficial and fake in society. With that one word, spoken to the disaffected Benjamin Braddock (Dustin Hoffman) by an associate of his father’s, the audience viewing 1967’s film The Graduate, could both laugh and sneer along with Benjamin.